artists     stories    image-search     news    pictures    contact

Along the River

© Stephanie Gengotti

On the 2nd of November 1975 Pier Paolo Pasolini’s body was found in a neighbourhood of Ostia called Idroscalo. Today there are about 500 families squatting on this piece of land, which is owned by the state.

In the 60’s, because of its geographical location at the mouth of the Tiber, it became a village of fishermen. They were the ones who built the first wood huts, having obtained the concession from the state. The huts soon became houses for summer holidays, but with the increase in the cost of living, many families moved there permanently from the centre of Rome.

Idroscalo inhabitants have always fought for that piece of land, they rebuilt the rock reef at their own expense, they obtained streetlights in the main square, potable water, electricity, a street number on each house, a decent road connecting them to the city, and a bus line.

Nine years ago the construction of the Ostia port near Idroscalo contributed to worsening the situation; then the threats of evacuating them became more evident because of the need to widen the port area, which many contractors were interested in.

At risk are 500 families, who in this limbo have stopped investing money to maintain their homes. Today the streets are always flooded, some of the houses are nearly falling apart, in some of them the waves from the sea hit the walls, in others the swollen river comes in through the doors. But the inhabitants won’t hear of leaving their land, having lived there for three generations by now. Evacuation would mean ending up in an apartment hotel in the capital city, surrounded by cement, separated from the ones they love and from their roots.

Seen from the outside it could seem a no man’s land, but for the people who live there, Idroscalo is the only alternative to a world where everything costs too much. In Idroscalo you can buy a house for 10 thousand euros and rent one for 400 euros a month. In recent years many immigrant families have moved there because the prices are more accessible. It is an excellent example of integration and various cultures living together. Everybody knows everybody else, they meet in the square in the afternoon, have a chat, keep each other company, play cards and never feel alone.

click to view the complete set of images in the archive



InstituteTM (collectively Institute Pictures, Institute Studios, & Institute Artist) is redefining how stories are produced and told in the 21st Century. Founded by Producer Frank Evers and Director/Visual Artist Lauren Greenfield, we are a multiplatform production company representing auteur-driven storytellers across commercials, photography, fine art, film, and technology — and producing original work across every screen that those stories live on. Our multiplatform expertise and established global relationships in entertainment, commercial, fine art, and journalism create unmatched reach and cross-pollination of creative work. A film commission informs a photography campaign; a fine art practice shapes a commercial; an editorial relationship opens a documentary. Few companies operate fluently across all of these worlds. Institute was built this way from the ground up.

Clients include: Apple, Google, Meta, Amazon, Microsoft/Xbox, LinkedIn, WhatsApp, Nike, Adidas, Lululemon, Under Armour, Dove, Maybelline, Clinique, Ulta Beauty, Aesop, Vaseline, LEGO, Balenciaga, Dior, Tom Ford, Kenzo, Supreme, Van Cleef & Arpels, Mercedes-Benz, Volvo, Toyota, McLaren, Pennzoil, American Express, Chase, U.S. Bank, Burger King, Chobani, Corona, Pepsi, Nespresso, Lavazza, Velveeta, Airbnb, Four Seasons, Marriott, Instacart, eBay, JCPenney, Levi's, Swatch, Bang & Olufsen, Bayer, Pfizer, Genentech, EA, Planned Parenthood, Ad Council, and the United Nations. Editorial and publishing partners include: The New York Times Magazine, The New Yorker, GQ, Esquire, TIME, Bloomberg, National Geographic, The Economist, Monocle, Le Monde, Stern, Sunday Times Magazine, Phaidon, Steidl, Abrams, Prestel, Chronicle, and Random House.

“Institute” is a registered trademark in the US, Europe, and United Kingdom. All rights reserved.