View from the Precipice
Survey of Works 1983-2026© David Maisel
View from the Precipice, a retrospective monograph spanning Maisel's entire career, begins with a comprehensive index of his projects from 1983 to 2026 that includes both extensive information about each body of work and insights into their development in the artist's own words. This chronology is followed by a lyrically sequenced plate section that draws formal and conceptual connections across bodies of work, decades of time, and photography and painting—the two mediums in which Maisel most commonly works. In addition to writing by the artist, View from the Precipice also includes newly commissioned essays by Alexander Nemerov and Geoff Manaugh alongside a transcribed conversation between Maisel and author Samantha Harvey that focuses on, among other things, the visual and psychological perspective afforded by the aerial vantage point.
click to view the complete set of images in the archive
Known for his aerial photographs chronicling the complex relationships between natural systems and human intervention, David Maisel's images often initially appear abstract and painterly, offering detailed but open-ended visual information that operates as both documentary and metaphor. Their strange beauty has been referred to as “the apocalyptic sublime.”
David Maisel: View from the Precipice (Survey of Works 1983-2026)
(PRE-ORDER from Radius Books)
Orders are expected to ship in mid-October.
Plastico
© David HarrimanIn Almeria Province in Spain, a sea of plastic sheeting covers the land creating the largest collection of greenhouses in the world. The invernaderos (as they are called in Spanish) cover upwards of 150 square miles and are visible by the naked eye from space. A large proportion of Europe's fruit and vegetables is intensively farmed here. A huge amount of plastic waste is created each year, estimated to be more than 30000 tons. These hot houses are staLed by an army of African migrants working in extreme heat conditions in the summer months.
click to view the complete set of images in the archive
Truth & Kitty: A Las Vegas Love Story
© David HarrimanTruth & Kitty: A Las Vegas Love Story is photographer and filmmaker David Harriman’s fourteen-year portrait of two people surviving on the fringes of America’s most marketed city.
What began in 2012 as an exploration of environmental excess transformed into an unguarded, intimate collaboration. Meeting Truth and Kitty as industrious recyclers on Fremont Street, he stayed close to their lives as circumstances shifted and they found themselves homeless.
The project deepened into a study of love and endurance. It is a record of two people clinging to one another through motels, underpasses, jails, and a mountain cave overlooking the shimmer of the famous Strip – even as the bond between them begins to fray. Around them, a whole community lives in the shadow of a city built on a dream that was never theirs to win.
Unflinching yet tender, Truth & Kitty surfaces the reality of a Las Vegas that has been managed into invisibility.
click to view the complete set of images in the archive
Landscape of Lust
© David HarrimanDrive through many cities in the US and you will find a corner where the female form is exploited to generate income. Designed to showcase their wares in the darker hours of the night these temples to voyeurism and lust look incongruous in the bright light of day.
click to view the complete set of images in the archive
Rainmaker
Harper's Magazine
© Davide Monteleone
Davide Monteleone photographed How to Change the Weather, a story by Wyatt Williams that investigates humanity’s long and uneasy desire to control the sky. Moving from conspiracy-driven acts of sabotage in Oklahoma City to contemporary climate-tech ventures in California, the piece traces a broad history of weather modification, from myth and military experiments to today’s planetary-scale climate crisis. Monteleone’s images approach the subject as both a technological frontier and a cultural anxiety, visualising the fragile boundary between scientific ambition, environmental uncertainty, and the consequences of human intervention.
click to view the complete set of images in the archive
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