Grey Skies Black Birds
© Stephanie Borcard & Nicolas MetrauxDecember 14th 2015 marked the 20th anniversary of the signing of the Dayton Agreement, the treaty that brought an end to the Bosnian War. This long-term project aims to give a face to the cities and landscapes whose names are familiar in the collective memory. Grey Skies Black Birds also presents the faces of the country itself, examining the impact of the post-war situation on the individuals born before, during and after the conflict.
The photographs in Grey Skies Black Birds were taken between 2013 and 2015 in Bosnia and Herzegovina. They show rural and urban landscapes bearing the traces and echoes, both obvious and hidden, of a troubled and somber history. Many of the landscape are presented as diptychs, the gaps between the pairs of images echoing the political, ethnic and religious divisions of the country. The portraits suggest a mixture of hope and disillusionment whilst overcoming a difficult past.
‘Despite of the extraordinary beauty of the region, a feeling of fear and mistrust towards scenery made us photograph the landscapes from a distance. How to trust the soil, knowing what it could hide and what, we sadly still discover today? Twenty years have passed but the country, which is so close but yet so far away, still seems convalescent. Passing through a long and painful period of transition, it tries to find the balance that could permanently heal its wounds.’ – Stéphanie Borcard and Nicolas Métraux
click to view the complete set of images in the archive
InstituteTM (collectively Institute Pictures, Institute Studios, & Institute Artist) is redefining how stories are produced and told in the 21st Century. Founded by Producer Frank Evers and Director/Visual Artist Lauren Greenfield, we are a multiplatform production company representing auteur-driven storytellers across commercials, photography, fine art, film, and technology — and producing original work across every screen that those stories live on. Our multiplatform expertise and established global relationships in entertainment, commercial, fine art, and journalism create unmatched reach and cross-pollination of creative work. A film commission informs a photography campaign; a fine art practice shapes a commercial; an editorial relationship opens a documentary. Few companies operate fluently across all of these worlds. Institute was built this way from the ground up.
Clients include: Apple, Google, Meta, Amazon, Microsoft/Xbox, LinkedIn, WhatsApp, Nike, Adidas, Lululemon, Under Armour, Dove, Maybelline, Clinique, Ulta Beauty, Aesop, Vaseline, LEGO, Balenciaga, Dior, Tom Ford, Kenzo, Supreme, Van Cleef & Arpels, Mercedes-Benz, Volvo, Toyota, McLaren, Pennzoil, American Express, Chase, U.S. Bank, Burger King, Chobani, Corona, Pepsi, Nespresso, Lavazza, Velveeta, Airbnb, Four Seasons, Marriott, Instacart, eBay, JCPenney, Levi's, Swatch, Bang & Olufsen, Bayer, Pfizer, Genentech, EA, Planned Parenthood, Ad Council, and the United Nations. Editorial and publishing partners include: The New York Times Magazine, The New Yorker, GQ, Esquire, TIME, Bloomberg, National Geographic, The Economist, Monocle, Le Monde, Stern, Sunday Times Magazine, Phaidon, Steidl, Abrams, Prestel, Chronicle, and Random House.
“Institute” is a registered trademark in the US, Europe, and United Kingdom. All rights reserved.
