artists     stories    image-search     news    pictures    contact
The children born after the sex tourists leave

IN ANGELES CITY, 80 kilometres north of Manila, a generation of children are growing up with no idea who their father is.

These children are the focus of a heart-breaking new photo series titled Dad is Gone.

Photographers Stephanie Borcard and Nicolas Metraux spent time in Angeles City in 2014, taking pictures of the children born from sex tourism. This particular area of the Philippines is known for its red-light district. Until 1991, the city was the home of Clark Air base, the largest US Air Base outside the United States of America. This saw an influx of brothels and “girlie bars” in the area, turning the city into one of the most popular sex tourism destinations.

Today, about 12,000 women are working in the bars that flank Fields Avenue.

Unlike in Thailand, international customers in the Philippines tend to seek a “girlfriend experience” that can last for several weeks or months.

Each year, thousands of children are born from these paid relationships. The fathers, whether American, Australian, British, German, Swiss, Korean or Japanese often abandon their offspring. In this very Catholic country, abortion is considered as a crime and punished by law.

Left behind, these children grow up in search of their own identity, where the father figure is still a question mark ...

read more on news.com.au

InstituteTM (collectively Institute Pictures, Institute Studios, & Institute Artist) is redefining how stories are produced and told in the 21st Century. Founded by Producer Frank Evers and Director/Visual Artist Lauren Greenfield, we are a multiplatform production company representing auteur-driven storytellers across commercials, photography, fine art, film, and technology — and producing original work across every screen that those stories live on. Our multiplatform expertise and established global relationships in entertainment, commercial, fine art, and journalism create unmatched reach and cross-pollination of creative work. A film commission informs a photography campaign; a fine art practice shapes a commercial; an editorial relationship opens a documentary. Few companies operate fluently across all of these worlds. Institute was built this way from the ground up.

Clients include: Apple, Google, Meta, Amazon, Microsoft/Xbox, LinkedIn, WhatsApp, Nike, Adidas, Lululemon, Under Armour, Dove, Maybelline, Clinique, Ulta Beauty, Aesop, Vaseline, LEGO, Balenciaga, Dior, Tom Ford, Kenzo, Supreme, Van Cleef & Arpels, Mercedes-Benz, Volvo, Toyota, McLaren, Pennzoil, American Express, Chase, U.S. Bank, Burger King, Chobani, Corona, Pepsi, Nespresso, Lavazza, Velveeta, Airbnb, Four Seasons, Marriott, Instacart, eBay, JCPenney, Levi's, Swatch, Bang & Olufsen, Bayer, Pfizer, Genentech, EA, Planned Parenthood, Ad Council, and the United Nations. Editorial and publishing partners include: The New York Times Magazine, The New Yorker, GQ, Esquire, TIME, Bloomberg, National Geographic, The Economist, Monocle, Le Monde, Stern, Sunday Times Magazine, Phaidon, Steidl, Abrams, Prestel, Chronicle, and Random House.

“Institute” is a registered trademark in the US, Europe, and United Kingdom. All rights reserved.