artists     stories    image-search     news    pictures    contact

Teen Paparazzi

© Lauren Greenfield

While most kids were whining for allowances and shopping at the mall, Austin Visschedyk, 16, was busy photographing celebrities and marketing his images since the age of 13. Living in West Hollywood, Austin was savvy to the allure of a celebrity’s life early: at 10, he would chit-chat with Jennifer Aniston, at 11 he had a pre-teen crush on Paris Hilton and got sunglass advice from George Clooney.

Before getting his driver’s license, Austin would juggle his cell phone and camera on a bicycle and pedal between Hollywood nightclubs in the dark of the night to get a shot of a starlet that could fetch him a few thousand dollars. Working with a mix of charm, confidence, and teenage bravado, Austin has now graduated from a bike to a BMW and calls on sources such as valets, waiters, and celebrities themselves, for leads on the whereabouts of tabloid favorites. Many of the celebrities have become his friends (Lindsay Lohan is on his speed dial) and most like him because he’s just a kid who is usually respectful of their personal boundaries.

Austin’s mother, Jane Sieberts, 56, had reservations when Austin started photographing Hollywood celebrities two years ago; she worried about a young kid in a tough industry. After seeing his dedication, Jane reasoned that Austin could just as easily get injured playing sports at school. Despite the danger of late night car chases and intimidation tactics of bodyguards and other paparazzi, she never the less supported his career and accommodated his taxing work schedule with home schooling.

click to view the complete set in the archive


InstituteTM (collectively Institute Pictures, Institute Studios, & Institute Artist) is redefining how stories are produced and told in the 21st Century. Founded by Producer Frank Evers and Director/Visual Artist Lauren Greenfield, we are a multiplatform production company representing auteur-driven storytellers across commercials, photography, fine art, film, and technology — and producing original work across every screen that those stories live on. Our multiplatform expertise and established global relationships in entertainment, commercial, fine art, and journalism create unmatched reach and cross-pollination of creative work. A film commission informs a photography campaign; a fine art practice shapes a commercial; an editorial relationship opens a documentary. Few companies operate fluently across all of these worlds. Institute was built this way from the ground up.

Clients include: Apple, Google, Meta, Amazon, Microsoft/Xbox, LinkedIn, WhatsApp, Nike, Adidas, Lululemon, Under Armour, Dove, Maybelline, Clinique, Ulta Beauty, Aesop, Vaseline, LEGO, Balenciaga, Dior, Tom Ford, Kenzo, Supreme, Van Cleef & Arpels, Mercedes-Benz, Volvo, Toyota, McLaren, Pennzoil, American Express, Chase, U.S. Bank, Burger King, Chobani, Corona, Pepsi, Nespresso, Lavazza, Velveeta, Airbnb, Four Seasons, Marriott, Instacart, eBay, JCPenney, Levi's, Swatch, Bang & Olufsen, Bayer, Pfizer, Genentech, EA, Planned Parenthood, Ad Council, and the United Nations. Editorial and publishing partners include: The New York Times Magazine, The New Yorker, GQ, Esquire, TIME, Bloomberg, National Geographic, The Economist, Monocle, Le Monde, Stern, Sunday Times Magazine, Phaidon, Steidl, Abrams, Prestel, Chronicle, and Random House.

“Institute” is a registered trademark in the US, Europe, and United Kingdom. All rights reserved.