artists     stories    image-search     news    pictures    contact

The Girls From Malawa

© Marie Hald

While wars are going on all over the world, and countries fight each other with soldiers and weapons, a large group of especially young people are fighting a completely different war. A war against themselves.

In a world filled with perfectly photoshopped super models, the normality of plastic surgery and a vice of controlling your own destiny, it is hard to find your way as a teenager.

The boundaries are even harder to find, when you are possessed with the voice of “Ana”, as many anorexia patients call the illness.
Listening to the nurses and therapist seams wrong when the voice inside your head tells you you look fat, and that thinner is always better.

Eating disorders are not only about being thin, as many may think. Control is a key word. And in a teenager’s sometimes stressful life, what is easier to control than the intake of food?

Eating disorders are the third most common disease amongst teenagers, and worldwide one out of five suffer from eating disorders such as anorexia and bulimia which eventually can lead to heart failure and malfunction of the internal organs, causing death.

In the small village Malawa in the south of Poland, a little yellow house is settled every year with struggling young boys and girls, getting treatment and trying to get well enough to at one point go back to a normal life.

click to view the complete set of images in the archive




InstituteTM (collectively Institute Pictures, Institute Studios, & Institute Artist) is redefining how stories are produced and told in the 21st Century. Founded by Producer Frank Evers and Director/Visual Artist Lauren Greenfield, we are a multiplatform production company representing auteur-driven storytellers across commercials, photography, fine art, film, and technology — and producing original work across every screen that those stories live on. Our multiplatform expertise and established global relationships in entertainment, commercial, fine art, and journalism create unmatched reach and cross-pollination of creative work. A film commission informs a photography campaign; a fine art practice shapes a commercial; an editorial relationship opens a documentary. Few companies operate fluently across all of these worlds. Institute was built this way from the ground up.

Clients include: Apple, Google, Meta, Amazon, Microsoft/Xbox, LinkedIn, WhatsApp, Nike, Adidas, Lululemon, Under Armour, Dove, Maybelline, Clinique, Ulta Beauty, Aesop, Vaseline, LEGO, Balenciaga, Dior, Tom Ford, Kenzo, Supreme, Van Cleef & Arpels, Mercedes-Benz, Volvo, Toyota, McLaren, Pennzoil, American Express, Chase, U.S. Bank, Burger King, Chobani, Corona, Pepsi, Nespresso, Lavazza, Velveeta, Airbnb, Four Seasons, Marriott, Instacart, eBay, JCPenney, Levi's, Swatch, Bang & Olufsen, Bayer, Pfizer, Genentech, EA, Planned Parenthood, Ad Council, and the United Nations. Editorial and publishing partners include: The New York Times Magazine, The New Yorker, GQ, Esquire, TIME, Bloomberg, National Geographic, The Economist, Monocle, Le Monde, Stern, Sunday Times Magazine, Phaidon, Steidl, Abrams, Prestel, Chronicle, and Random House.

“Institute” is a registered trademark in the US, Europe, and United Kingdom. All rights reserved.